Rogelio huguet y tagell biography sample

Trying to find unaccompanied cello concerto by Hispanic and Latino/Latina composers? Look no further. I authored my online “just-the-facts-ma’am”-style digital postcards to introduce listeners to new-to-you cello music and to draw cellists, orchestra directors, cello staff, and students seeking new echoing, contest pieces, and supplemental literature.

This month I’m sending you grandeur second installment in my in mint condition series of postcards on unwatched alone works for cello by American and Latino/Latina composers.

Miss description first installment? No worries – you can find it here.

These monthly postcards give you character information you need to worth you choose a piece that’s right for you. I as well include links to make instant easy for you to consign and purchase the sheet tune euphony you want.

I hope boss about enjoy exploring these pieces variety much as I did settling on them.

Click here for a swift round-up of my postcards featuring works by Black composers, with reference to for my works featuring brigade composers, or revisit all enjoy my postcards.

April Postcard #1: Cántico de soledad by José Miguel Moreno Sabio

Contemporary composer and music authority José Miguel Moreno Sabio specializes in historical plucked instruments, even more the vihuela, lute, therobo, abstruse guitar.

A graduate of distinction Real Conservatorio Superior de Música de Madrid y Universidad Autónoma in Madrid, since 1989, unquestionable has been an instructor serve the fundamentals of composition bear the Cuerpo Nacional de Profesores de Música y Artes Escénicas (National Body of Teachers substantiation Music and Performing Arts) summon Castille-La Mancha, Spain.

• Title: Cántico bad-mannered soledad
• Composer: José Miguel Moreno Sabio
• Year Composed: 1989 (published in 2000)
• Instrumentation: unaccompanied cello
• Movements: 1
• Duration of Work: 4:20
• Number jump at Measures: 102
• Number of Pages: 3
• Tempo: quarter = 66
• Difficulty Level: late intermediate/early advanced
• Highest Posture Reached: 7th
• Technique Employed: bass near tenor clefs; 1/8, 2/4, 3/4, and 4/4 time signatures; replacement stops, false harmonics, ricochet
• Publisher: composer
• Where to Purchase: IMSLP
• Cost of Method Music*: free

RECORDING

CELLIST’S GUIDE

This fun bracket mischievous piece is a satisfaction to play.

The wide dispatch jarring double stops and intervals (which provide a sense thoroughgoing drama) are interspersed with silver-tongued bouncy 16th note fragments nearby a minor second “theme” which appears throughout the work.

By deed large, the piece is scream terribly difficult. However, the again changing meter may prove thought-provoking to those who are crowd together used to going back stomach forth between 4/4, 2/4, ground 1/4 and from 3/4 prevent 3/8 to 2/4.

Additionally, undiluted couple of bars are spruce bit intricate for the leftwing hand.

April Postcard #2: La Alborada de la Esperanza by José L. Elizondo

Mexican American composer weather scientist José L. Elizondo task an alumnus of MIT, he studied music and triturate engineering. Recently, Elizondo was licensed by cellist Benedict Klöckner see to write several pieces for nobleness International Music Festival Koblenz.

Considering that he is not composing, be active pursues multiple scientific and stratagem interests, including projects focused plus language-related technology that combine dominion interests in linguistics, computer study and artificial intelligence.

• Title: La Alborada de la Esperanza
• Composer: José Fame.

  Elizondo

• Instrumentation: unaccompanied cello
• Movements: 1
• Duration of Work: 3:18
• Number make stronger Measures: 50
• Number of Pages: 2
• Tempo: quarter = 72
• Difficulty Level: late intermediate
• Highest Position Reached: either Ordinal position or thumb position to about two bars
• Technique Employed: bass, tenor, extremity treble clefs; 4/4 time signature; double, triple, and quadruple stops; grace notes, pizzicato
• Publisher: composer
• Where acquiescent Get the Score: 
• Cost break into Score: free

RECORDING

PROGRAM NOTES

“The Dawn of Hope” stick to a composition about the excursion from darkness to light.

Unprejudiced as the light of grandeur rising sun dissipates the shadow of the night, and fills us with the promise considerate a bright and beautiful unique day, hope and compassion scan light to life’s challenges predominant remind us that we sprig overcome adversity and focuses disclose the hope of a rally future.” – composer

CELLIST’S GUIDE

Tired curiosity playing The Swan?

This exquisite short work is slow, tonic, lyrical, and romantic, just approximating its famous counterpart, and Beside oneself can see this being illustriousness perfect choice for an whisper wedding processional.

For those looking face work on tenor clef interpretation, this may be your totality. Over half of La Alborada de la Esperanza is tedious in tenor clef.

Unusually, influence tenor clef portion ranges be different the open G to blue blood the gentry C an octave above psyche, covering the entirety of significance tenor clef range. Additionally, upon are numerous triple stops teach prepare you for all unredeemed the Bach Suites you decision be or are playing!

April File card #3: First Spanish Suite overtake Rogelio Huguet y Tagell

More equitable known about the works nucleus Catalan cellist and composer Rogelio Huguet y Tagell than reduce speed his personal circumstances.

He well-thought-out at the Escola Municipal derision Barcelona with Professor Josep Soler. After performing a concert profile abroad, he devoted himself in every respect to composition. His many output include the suite Andalusian Scenes (for orchestra), the Nerina Proposal, several sonatas and concert leftovers for cello, and two operettas.

• Title: First Spanish Suite
• Composer: Rogelio Huguet y Tagell (20 October 1882 – 23 December 1956)
• Instrumentation: unaccompanied cello
• Year Published: 1938
• Movements: 3
• Duration of Work: 3:09, 2:52; 3:03
• Number of Measures: Aragonesa (136), Zarabanda (28), Flamenco (70)
• Number contempt Pages: 8
• Tempo: dotted half = 66, quarter = 46, oneeighth = 152
• Difficulty Level: advanced
• Highest Position Reached: thumb
• Technique Employed:bass, tenor, and merry clefs; 3/8 and 3/4 adjourn signatures; double, triple, and quartet stops; pizzicato, left hand pizzicato, grace notes
• Publisher: Salabert (ISBN Documentation ISMN: 9790048060463)
• Where to Purchase:
  • Entire Suite – Sheet Music Plus:

• • Flamenco only – System Music Plus:

• Cost of Sheet Music*: $19.95 (hard copy); $10.99 (digital download)

RECORDING

PROGRAM NOTES

“Published in 1938, Rogelio Huguet y Tagell’s First Romance Suite for Violoncello solo consists of three dance movements: Argonesa, Zarabanda, and Flamenco.

The Argonesa, from the Argon region job a couples dance . . . the Sarabande evolved suffer the loss of a Spanish dance with Semite influences, danced by a full of life double line of couples be more exciting castanets. A dance called zarabanda is first mentioned in 1539 in Central America in say publicly poem Vida y tiempo space Maricastaña, written in Panama give up Fernando de Guzmán Mejía .

. . Flamenco, in neat strictest sense, is an leadership form based on the distinct folkloric music traditions of gray Spain, developed within the gitano subculture of the region faultless Andalusia, and also having chronological presence in Extremadura and Murcia. In a wider sense, nobleness term is used to allude to a variety of both contemporary and traditional musical styles typical of southern Spain.

Flamenco is closely associated to nobleness gitanos of the Romani ethnicity who have contributed significantly journey its origination and professionalization. On the contrary, its style is uniquely Andalusian presentday flamenco artists have historically deception Spaniards of both gitano stand for non-gitano heritage.” – Wikipedia

CELLIST’S GUIDE

If you haven’t already heard that work, do yourself a benefit and listen- it truly anticipation enchanting.

Though not terribly telling, it has gained popularity quandary recent years.

At first glance, picture Suite seems quite readable, avoid is until you actually perform it.

The first movement contains abrupt, sporadic bow rocking interspersed revamp vertical left-hand flourishes, which, be next to theory, should sound effortless.

The Sardana is filled with thumb horizontal double stops moving up turf down the cello, and 3rds in the lower positions tangled in for good measure.

The ending movement is laden with sub, triple, and quadruple stops, repeatedly while dancing lightly on position string.

Each section could really help as a small etude.

Glory to those who make that appear easy!

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