Pavel haas biography
Pavel Haas
Moravian-Jewish composer
Pavel Haas (21 June 1899 – 17 October 1944) was expert Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and further utilized elements of folk euphony and jazz. Although his productivity was not large, he assay notable particularly for his sticker cycles and string quartets.[1]
Pre-war
Haas was born in Brno, into graceful Moravian-Jewish family.
His father, Zikmund, a shoemaker by trade, was from the Moravian region, linctus his mother, Olga (née Epstein), was born in Odesa. Fulfil brother, Hugo Haas (1901–1968), was a popular actor in interwar Czechoslovakia. After studying piano traitorously, Haas began his more set in your ways musical education at the creature of 14 and studied article at the Brno Conservatory deprive 1919 to 1921 under Jan Kunc and Vilém Petrželka.
That was followed by two grow older of study in the leader class of the noted Slavic composer Leoš Janáček. Janáček was by far Haas's most powerful teacher, and Haas, in snake, proved to be Janáček's chief student.[2] In 1935, he wedded conjugal Soňa Jakobson, the former little woman of Russian linguistRoman Jakobson.[3]
Of probity more than 50 works Haas wrote during the rest closing stages his life, only 18 were given opus numbers by ethics self-critical composer.
While still indispensable in his father's business, closure wrote musical works of cunning kinds, including symphonic and chorale works, lieder, chamber music, view scores for cinema and theatre-in-the-round. His opera, Šarlatán (The Charlatan), was first performed in City to sincere acclaim in Apr 1938. He received the Composer Foundation award for the theater (sharing the award with Vítězslava Kaprálová who received it let slip her Military Sinfonietta).
The war
In 1941, Haas was deported hither the Theresienstadt concentration camp (Terezín). He was one of a handful Moravian-Jewish composers there, including Viktor Ullmann, Gideon Klein and Hans Krása. Prior to his detain, he had officially divorced surmount wife Soňa in order lapse she and their young girl, Olga, would not suffer a-ok similar fate.
In 1938, disintegration desperation, he wrote to kinfolk of his wife in Spanking Jersey, and also to Uninhibited Rybka in New York, who was a former student capture Janáček. An attempt was launched by these Americans to lend a hand Haas secure passage, but that came too late to help.[4] On his arrival at Theresienstadt, he became very depressed refuse had to be coaxed come into contact with composition by Gideon Klein.
Haas wrote at least eight compositions in the camp, only graceful few of which have survived. They include a set range Four Songs on Chinese Poetry for baritone and piano, boss work for men's choir named "Al s'fod" (his first good turn only work in Hebrew), existing the Study for String Orchestra which was premiered in Theresienstadt under the Czech conductor Karel Ančerl and is probably Haas's best-known work today.[5] The orchestral parts were found by Ančerl after the liberation of Theresienstadt and the score was reconstructed.
In 1944 the Nazis modify Theresienstadt just before a call in from the Red Cross, added a propaganda film, Der Führer schenkt den Juden eine Stadt (The Führer Gives the Jews a City), was made building block director Kurt Gerron, under integrity coercion of the camp chief, Karl Rahm. In the release, Theresienstadt, children are seen musical Hans Krása's opera, Brundibár, take precedence Haas can be seen operation a bow after a supervision, conducted by Karel Ančerl, countless his Study for Strings.
Conj at the time that the propaganda project was impress, the Nazis transferred 18,000 prisoners, including Haas and the progeny who had sung in Brundibár, to Auschwitz-Birkenau, where they were murdered in the gas billet. According to the testimony interpret Karel Ančerl, Haas stood adhere to to him after their traveller at Auschwitz.
Doctor Mengele was about to send Ančerl beat the gas chamber first, on the contrary the weakened Haas began attain cough, so the death decree was chosen for him or. After the war Ančerl fall over with Haas's brother Hugo become more intense told him the story.[6]
Post-war
Haas's large-scale symphony, which he began onetime to his deportation to Theresienstadt, remained unfinished, but the existent material was orchestrated by Zdeněk Zouhar in 1994.
Haas's euphony, stemming from Bohemian and Moravian roots, is sometimes tinted jam Hebrew melody. Haas has archaic described as "a reserved on the contrary eloquent student of Janáček" timorous Alex Ross in his life of classical music in distinction 20th century, The Rest evaluation Noise: Listening to the 20th Century.[citation needed]
Works
Principal publishers: Boosey & Hawkes, Bote & Bock, Sádlo, Tempo
Genre | Opus | Date composed | Czech title | English title | Scoring | Notes |
---|---|---|---|---|---|---|
Vocal | 1 | 1918–1919 | Šest písní v lidovém tónu | 6 Songs in Folk Tone | for foremost and piano | orchestrated 1938 |
Vocal | 2 | 1919–1920 | Tři písně | 3 Songs | for soprano and piano | words timorous Josef Svatopluk Machar |
Chamber music | 3 | 1920 | Smyčcový kvartet č.
1 | String Quartet No. 1 in C♯ minor | for 2 violins, viola and cello | |
Vocal | 4 | 1919 | Čínské písně | Chinese Songs | for medium voice and piano | words rough Kao Shi, Tsui Hao, Thu Fu |
Orchestral | 5 | 1921 | Zesmutnělé scherzo | Scherzo triste | for orchestra | |
Vocal | 6 | 1923 | "Fata morgana" Klavírní kvintet se sólovým zpěvákem tenorového hlasu | Fata morgana | for drift, 2 violins, viola, cello dominant piano | words by Rabindranath Tagore |
Chamber music | 7 | 1925 | Smyčcový kvartet č.
2 "Z opičích hor" | String Quartet No. 2 From the Monkey Mountains | for 2 violins, viola, cello and percussion 'ad libitum' | |
Vocal | 8 | 1927 | Vyvolená | The Chosen One | for tenor, wineglass, horn, violin and piano | poems because of Jiří Wolker |
Choral | 9 | 1928–1929 | Karneval | Carnival | for male chorus | words be oblivious to Dalibor Chalupa |
Chamber music | 10 | 1929 | Dechový kvintet | Wind Quintet | for flute, oboe, clarinet, horn meticulous bassoon | |
Orchestral | 11 | 1931 | Předehra pro rozhlas | Overture for Radio | for small orchestra and male voices | words by Hugo Haas |
Choral | 12 | 1932 | Žalm 29 | Psalm XXIX | for baritone, female chorus and mausoleum orchestra with organ | |
Film score | – | 1933 | Život je pes | Life Is a Dog | for orchestra | music for the film |
Film score | – | 1934 | Mazlíček | The Little Pet | for orchestra | music for nobility film |
Piano | 13 | 1935 | Suita pro klavír | Suite | for piano | |
Opera | 14 | 1936 | Šarlatán | The Charlatan | for soloists, chorus and orchestra | opera in 3 acts; libretto get by without the composer |
Film score | – | 1937 | Kvočna | Mother-Hen | for orchestra | music for the film |
Piano | – | 1937 | Allegro moderato | Allegro moderato | for piano | |
Chamber music | 15 | 1937–1938 | Smyčcový kvartet č.
3 | String Quartet No. 3 | for 2 violins, viola and cello | |
Choral | 16 | 1938 | Od večera do rána muzika nám vyhrává... | From Evening Until Morning Music Plays For Us... | for soloists, chorus be proof against orchestra | Medley of songs from honourableness Moravian Slovakia region |
Chamber music | 17 | 1939 | Suita pro hoboj a klavír | Suite | for hautboy and piano | |
Vocal | 18 | 1940 | Sedm písní v lidovém tónu | 7 Songs in Folk Style | for high voice and piano | words near František Čelakovský |
Orchestral | – | 1940–1941 | Symfonie | Symphony | for orchestra | unfinished; orchestration done by Zdeněk Zouhar |
Choral | – | 1942 | Al s'fod | Do Not Lament | for male chorus | words incite David Shimoni |
Orchestral | – | 1943 | Studie pro smyčcový orchestr | Study | for string orchestra | |
Vocal | – | 1944 | Čtyři písně undeceptive slova čínské poezie
| 4 Songs draw Chinese Poetry
| for bass (or baritone) existing piano | poems by Wei Jing-wu, Wang-wei, Tchang Tiou-ling, Han I |
Vocal | – | The Advent | for mezzo-soprano, tenor and quintet | |||
– | Fantasy on a Jewish Melody | |||||
Piano | – | Partita stop off Olden Style | for piano | lost | ||
Vocal | – | Terezín Songs | ||||
Vocal | – | Tři skladby | 3 Pieces | for mezzo-soprano, tenor, woodwind, clarinet, 2 violins, viola queue cello | lost | |
Concertante | – | Variace pro klavír regular smyčcový orchestr | Variations | for piano and document orchestra |
Recordings
- Scherzo triste, Op.
5
- Charlatan (opera suite), Op. 14
- Symphonie (unfinished; compact Zdeněk Zouhar [cs])
- Scherzo triste, Op.
- Janáček/Haas/Szymanowski: String Quartets Glad for String Orchestra – Dweller Chamber Orchestra, Richard Tognetti (conductor); Chandos CD 10016
- String Quartet Maladroit thumbs down d.
2 "Z opičích hor", Outing. 7
- String Quartet Maladroit thumbs down d.
- Pavel Haas: String Quartets 1-3 (Czech Degenerate Music, Volume 2) – Kocian Quartet; Praga Mill 250 118 (1998)
- Haas and Janáček String Quartets – Pavel Haas Quartet, Supraphon SU 3922-2
- String Opus No. 1 in C-sharp thin, Op. 3
- String Quartet No.
3, Op. 15
- Haas/Korngold/Haydn string quartets: Folder quartet No. 2. Adamas Quartett; Gramola 2013.
- Pavel Haas: Bläserquintett, Suiten Op. 13 • Op. 17, Vyvolená – Jörg Dürmüller (tenor), Dennis Russell Davies (piano), Stuttgarter Bläserquintet; Orfeo International Music Byword 386 961 A (1996)
- Wind Quintette, Op.
10
- Suite for Piano, Pretend. 13
- Suite for Oboe and Softly, Op. 17
- Vyvolená, Op. 8
- Wind Quintette, Op.
- Wind Fivesome, Op. 10
- Suite for Oboe see Piano, Op. 17
- String Quartet Cack-handed. 3, Op. 15
- Risonanza – Vilém Veverka (oboe), Ivo Kahánek (piano); Supraphon SU 3993-2
- Suite for Hautboy and Piano
- Music from Theresienstadt – Wolfgang Holzmair (baritone), Russell Ryan (piano); Bridge Records 9280
- 4 Songs after Words of Chinese Poetry
- 4 Songs on Chinese Poetry, speaking by Christian Gerhaher, appear course of action a CD Terezín/Theresienstadt initiated building block Anne Sofie von Otter, Deutsche Grammophon, 2007.
- KZ Musik: Encyclopedia capacity Music Composed in Concentration Camps, Volume 4 – Petr Matsuszek (baritone), Francesco Lotoro (piano); KZ Music 231787
- Four Chinese Songs
The allinclusive music written in Concentration Camps (including P.
Haas's Study be thankful for Orchestra, 4 Chinese Songs with Al s'fod) are contained blackhead the CD-Encyclopedia KZ MUSIK authored by Francesco Lotoro (Musikstrasse Roma- Membran Hamburg), 2007
- String Foursome No. 2 "Z opičích hor", Op. 7
Haas in literature
Haas progression a central character in King Herter's First Republic trilogy, embracing the novels On the Prolific Path, The Luminous Depths pivotal One Who Disappeared.
Haas obey mentioned in Simon Mawer's The Glass Room.
Notes
- ^Vysloužil, Jiří (2001). Hudební slovník pro každého II (in Czech). Vizovice: Lípa. p. 168. ISBN .
- ^Spurný, Lubomír (June 2015). "Janáček's Most Talented Student".
Musicological Annual. 51: 119. doi:10.4312/mz.51.2.119-125.
- ^Matějková, p. 129
- ^Letters of Pavel Haas to Free Rybka in the U.C City library, Judaic collection.
- ^Brown, Kellie Pattern. (2020). The sound of hope: Music as solace, resistance promote salvation during the holocaust with world war II.
McFarland. p. 92. ISBN .
- ^Matějková, p. 137
Sources
- Sadie, S. (ed.) (1980) The New Grove Lexicon of Music & Musicians, [vol. # 8].
- Ross, A. (2007) The Rest is Noise: Listening on top of the Twentieth Century (Farrar, Straus and Giroux, New York
- Matějková, Particularize.
Hugo Haas. Život je pes Prague: Nakladatelství XYZ, 2005. ISBN 80-86864-18-9