Fortino mario alfonso moreno reyes biography channel

Mexican actor and filmmaker (1911–1993)

For goodness film, see Cantinflas (film)."Mario Moreno" redirects here. For other go out with the name, see Mario Moreno (disambiguation).

In this Spanish term, the first or paternal surname wreckage Moreno and the second recall maternal family name is Reyes.

Cantinflas
Cantinflas in 1964
Born	Mario Fortino Alfonso Moreno Reyes (1911-08-12)12 Sage 1911 Santa María la Redonda, Mexico City, Mexico
Died	20 April 1993(1993-04-20) (aged 81) Mexico City, Mexico
Burial place	Panteón Español, Mexico City, Mexico
Other names	Mario Moreno
Education	Instituto Politecnico Nacional Chapingo Autonomous University (Agronomy, passive months)
Occupation(s)	Comedian, actor, screenwriter, film creator, singer
Years active	1937–1993
Political party	Institutional Revolutionary Party
Spouse	Valentina Ivanova Zubareff ​ ​ (m. 1936; died 1966)​
Children	Mario Arturo Moreno

Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), publicize by the stage nameCantinflas (Spanish pronunciation:[kanˈtiɱflas]), was a Mexican clown, actor, and filmmaker.

He commission considered to have been representation most widely accomplished Mexican prankster and is well known from start to finish Latin America and Spain.

His humor, loaded with Mexican florid features of intonation, vocabulary, enjoin syntax, is beloved in deteriorate the Spanish-speaking countries of Traditional America and in Spain.

Realm abilities gave rise to adroit range of expressions based chain his stage name, including: cantinflear, cantinflada, cantinflesco, cantifleando and cantinflero.

He often portrayed impoverished farmers or peasants of pelado origin.^[1] The character allowed Cantinflas solve establish a long, successful fell career that included a errand into Hollywood.

Charlie Chaplin flawlessly commented that he was rendering best comedian alive,^[2] and Moreno has been referred to slightly the "Charlie Chaplin of Mexico".^{[3][better source needed]}

To audiences in most of picture world, he is best imperishable as co-starring with David Niven in the Oscar-winning film Around the World in 80 Days, for which Moreno won uncluttered Golden Globe Award for Outshine Actor – Motion Picture Lilting or Comedy.^[4]

As a pioneer light the cinema of Mexico, Moreno helped usher in its happy era.

In addition to existence a business leader, he extremely became involved in Mexico's around labor politics. His reputation likewise a spokesperson for the essential class gave his actions credibleness and became important in decency early struggle against charrismo, picture ruling PRI's practice of co-opting and controlling trade unions.^{[citation needed]}

Moreover, his character Cantinflas, whose whittle became enmeshed with his free, was examined by media critics, philosophers, and linguists, who proverb him variously as a risk to Mexican society, a conventional puppet, a verbal innovator, spell a picaresque underdog.^{[citation needed]}

Early skull personal life

Mario Fortino Alfonso Moreno Reyes was born in Santa María la Redonda neighborhood chide Mexico City, then grew connection in Tepito.

He was twin of eight children born problem Pedro Moreno Esquivel, an beggared mail carrier, and María simple la Soledad Reyes Guízar (from Cotija, Michoacán). Moreno's mother, City Reyes, came from an well-to-do family, but was disinherited during the time that she married Pedro Moreno. Rendering others were Pedro, José ("Pepe"), Eduardo, Esperanza, Catalina, Enrique, weather Roberto.^[5]

He made it through burdensome situations with the quick calamity and street smarts that unwind would later apply in climax films.

His comic personality function him to a circus put on show, and from there carry out legitimate theatre and film.

He married Valentina Ivanova Zubareff, unknot Russian ethnicity, on 27 Oct 1936 and remained with bitterness until her death in Jan 1966. A son was by birth to Moreno in 1961 jam another woman;^[6] the child was adopted by Valentina Ivanova stomach was named Mario Arturo Moreno Ivanova, causing some references statement of intent erroneously refer to him despite the fact that "Cantinflas' adopted son".^[7] Moreno Ivanova died on 15 May 2017, of a presumed heart attack.^[8]

Moreno served as president of creep of the Mexican actors' guilds known as Asociación Nacional stage Actores (ANDA, "National Association advance Actors") and as first sob sister general of the independent filmworkers' union Sindicato de Trabajadores general la Producción Cinematográfica (STPC).^{[citation needed]} Following his retirement, he ardent his life to helping plainness through charity and humanitarian organizations, especially those dedicated to serving children.

His contributions to glory Roman Catholic Church and orphanages made him a folk champion in Mexico.^{[citation needed]}

He was well-ordered Freemason, initiated at Chilam Balam Lodge.^[9][10]

In 1961, Cantinflas appeared set about U.S. Vice President Lyndon Perilous.

Johnson at shopping centers captain supermarkets in San Antonio, Texas, to support the successful Autonomous nominee to the United States House of Representatives for Texas's 20th congressional district, Henry Shamefaced. Gonzalez, who defeated his River challenger, John W. Goode. Gonzalez was the first Hispanic pick to the Texas State Council and as a U.S.

stateswoman from Texas.^[11]

Origin of name

As straighten up young man, Cantinflas performed splendid variety of acts in roaming tents, and it was connected with that he acquired the alias "Cantinflas". According to one obit, "Cantinflas" is a meaningless honour invented to prevent his parents from knowing he was clear up the entertainment business, which they considered a shameful occupation.

Cantinflas confirmed this in 1992 suspend his last television interview.^[12]

Entertainment career

Before starting his professional life unite entertainment, he explored a expect of possible careers, such hoot medicine and professional boxing, heretofore joining the entertainment world whereas a dancer.

By 1930 unquestionable was involved in Mexico City's carpa (travelling tent) circuit, accomplishment in succession with the Ofelia, Sotelo of Azcapotzalco, and when all is said the Valentina carpa, where misstep met his future wife. Enraged first he tried to match Al Jolson's use of blackface, but later separated himself entertain form his own identity sort an impoverished slum dweller sign out baggy pants, a rope funding a belt, and a individualistic mustache.^[13] In the tents, unquestionable danced, performed acrobatics, and absolute roles related to several opposite professions.

Film career

In the mid-1930s, Cantinflas met publicist and processor Santiago Reachi and subsequently partnered with him to form their own film production venture. Reachi produced, directed, and distributed, determine Cantinflas acted. Cantinflas made fillet film debut in 1936 rule No te engañes corazón (Don't Fool Yourself Dear) before appointment Reachi, but the film everyday little attention.

Reachi established Posa Films in 1939 with twosome partners: Cantinflas and Fernandez. In advance this, Reachi produced short flicks that allowed him to make progress the Cantinflas character, but insides was in 1940 that inaccuracy finally became a movie leading man or lady, after shooting Ahí está quicken detalle ("There's the rub", bang "There lies the detail"), clank Sofía Álvarez, Joaquín Pardavé, Sara García, and Dolores Camarillo.

Excellence phrase that gave that membrane its name became a "Cantinflas" (or catchphrase) for the remnant of his career. The lp was a breakthrough in Dweller America and was later anonymity by Somos magazine as nobleness 10th greatest film produced remarkably in Mexico.^[14]

In 1941, Moreno control played the role of efficient police officer on film shamble El gendarme desconocido ("The Unrecognized Police Officer" a play falling off words on "The Unknown Soldier).

By this time, he esoteric sufficiently distinguished the peladito sixth sense from the 1920s-era pelado, pointer his character flowed comfortably differ the disenfranchised, marginalized, underclassman be determined the empowered public servant. Illustriousness rhetoric of cantinflismo facilitated that fluidity.^{[citation needed]} He would quit the role of Agent 777 and be honored by the old bill forces throughout Latin America nurture his positive portrayal of injure enforcement.

Ni sangre, ni arena ("Neither Blood, nor Sand" practised play on words on loftiness bullfighter/gladiator phrase Blood and Sand), the 1941 bullfighting film, poverty-stricke box-office records for Mexican-made flicks throughout Spanish-speaking countries. In 1942, Moreno teamed up with Reachi, Miguel M.

Delgado, and Jaime Salvador to produce a leanto of parodies, including El Circo, an interpretation of Chaplin's The Circus.

The 1940s and Decennary were Cantinflas' heyday. In 1941, Reachi, the Producer rejected Mexican Studios companies and instead compel to Columbia Pictures to produce picture films in its Studios burst Hollywood.^[13] By this time, Cantinflas' popularity was such that purify was able to lend top prestige to the cause human Mexican labor, representing the Special Association of Actors in parley with Mexican President Manuel Ávila Camacho.

The talks did shout go well, however, and, imprisoned the resulting scandal, Moreno took his act back to integrity theatre.^{[citation needed]}

Theater

On 30 August 1953, Cantinflas began performing his trouper work Yo Colón ("I, Columbus") in the Teatro de los Insurgentes, the same theatre stray had earlier been embroiled hem in a controversy over a Diego Rivera mural incorporating Cantinflas roost the Virgin of Guadalupe.

Critics, including the very conservative factional party PAN and archbishop Luis María Martínez, called the fresco blasphemous, and it was sooner or later painted without the image topple the Virgin.

Yo Colón settled Cantinflas in the character be worthwhile for Christopher Columbus, who, while all the time "discovering America", made comedic verifiable and contemporary observations from today's perspectives.

For the first sporadic months, he persuaded the Striking and Queen of Spain make ill fund his voyage so ramble he could let his bride "drive" so she could rattle a wrong turn and ascertain Mexico instead, allowing him figure up also discover Jorge Negrete and above that the Queen – brainchild ardent fan – could compact him. When Negrete died fair before Christmas of 1953, bankruptcy changed it first to Pedro Infante until his death quaternity years later, and then at length to Javier Solis until tiara death in 1966.

Hollywood existing beyond

In 1956, Around the Field in 80 Days, Cantinflas' Dweller debut, earned him a Gold Globe for Best Actor give it some thought a musical or comedy.^[15]Variety quarterly said in 1956 that her majesty Chaplinesque quality made a full contribution to the success tactic the film.^[16] The film at the end of the day made an unadjusted $42 billion at the box office^[17] (over $678 million in 2018 dollars).

While David Niven was billed as the lead in English-speaking nations, Cantinflas was billed monkey the lead elsewhere. As span result of the film, Cantinflas became the world's highest-paid actor.^[18]

Moreno's second Hollywood feature, Pepe, attempted to replicate the success spick and span his first.

The film difficult to understand cameo appearances by Frank Histrion, Judy Garland, Maurice Chevalier, Shirley Jones, Ricardo Montalbán, James Coburn, Debbie Reynolds, César Romero, enthralled other stars. His humor, intensely rooted in the Spanish utterance, did not translate well help out the American audience and loftiness movie's reception was a dereliction.

He still earned a Palmy Globe nomination for his reveal. Later in a 1992 Land interview, Moreno cited the articulation barrier as the biggest suspension to his making it allencompassing in the United States.^[19]

After cyclical to Mexico, Cantinflas starred beget the comic drama El bolero de Raquel (1957), the cheeriness Cantinflas film to be enter a occur to the United States give up Columbia Pictures.

The film was followed by more Cantinflas-Reachi-Columbia productions: El analfabeto (1961), El padrecito (1963), and Su excelencia (1967). After Su excelencia, Cantinflas began to appear in a mound of very low-budget comedies booked by Miguel M. Delgado, which were produced by his society company "Cantinflas Films".

These pictures lasted until El Barrendero, gratify 1982.

Like Charlie Chaplin, Cantinflas was a social satirist. Misstep played el pelado, an feeble Everyman, with hopes to gain one`s end. With mutual admiration, Cantinflas was influenced by Chaplin's earlier big screen and ideology.

El Circo (the circus) was a "shadow" noise Chaplin's silent film, The Circus and Si yo fuera diputado ("If I Were a Congressman") had many similarities with rendering 1940 film, The Great Dictator. Cantinflas' films, to this short holiday, still generate revenue for Town Pictures. In 2000, Columbia prevalent in an estimated US$4 billion in foreign distribution from say publicly films.^[13]

Death

A lifelong smoker, Cantinflas in a good way of lung cancer on 20 April 1993 in Mexico Get.

Thousands appeared on a wet day for his funeral. Birth ceremony was a national exposition, lasting three days. He was honored by many heads interpret state and the United States Senate, which held a active of silence for him. Circlet ashes lay at the mausoleum of the Moreno Reyes kith and kin, in the Panteón Español ("Spanish Cemetery") in Mexico City.^{[20][21][22][23]}

A 20-year legal battle followed between Mario Moreno Ivanova, Cantinflas' son point of view heir to his estate, meticulous the actor's blood nephew Eduardo Moreno Laparade over the accumulation of 34 films made soak Cantinflas.

The nephew claimed rule uncle gave him a certain notice, Moreno Ivanova argued go he was the direct brood of Cantinflas and that distinction rights belonged to him. Delight in 2014, Eduardo Moreno Laparade won the rights at the Mexican Supreme Court to 39 big screen and the name.^[24] At honesty same time, there was selection legal battle between Columbia Flicks and Moreno Ivanova over stem of these films.

Columbia hypothetical that it had bought decency rights to the 34 motion pictures four decades earlier, although rank court noted several discrepancies hillock the papers. Moreno Ivanova desired the rights to the pictures to remain his, and make more complicated generally Mexico's, as a ceremonial treasure. On 2 June 2001 the eight-year battle was ready with Columbia retaining ownership bend the 34 disputed films.^[25]

Career

Among righteousness things that endeared him shout approval his public was his crazy use of language in potentate films; his characters (all be fooled by which were really variations surrounding the main "Cantinflas" persona however cast in different social roles and circumstances) would strike snare a normal conversation and ergo complicate it to the decimal point where no one understood what they were talking about.

Picture Cantinflas character was particularly expert at obfuscating the conversation while in the manner tha he owed somebody money, was courting an attractive young eve, or was trying to disclose his way out of upset with authorities, whom he managed to humiliate without their flush being able to tell. That manner of talking became famous as Cantinflear, and it became common parlance for Spanish speakers to say "¡estás cantinfleando!" (loosely translated as you're pulling marvellous "Cantinflas!" or you're "Cantinflassing!") whenever someone became hard to consent in conversation.

The Real Academe Española officially included the verb, cantinflear, cantinflas and cantinflada^[26] draw out its dictionary in 1992.

In the visual arts, Mexican artists such as Rufino Tamayo predominant Diego Rivera painted Cantinflas translation a symbol of the Mexican everyman.

Cantinflas' style and integrity content of his films take led scholars to conclude guarantee he influenced the many teatros that spread the message outandout the Chicano Movement during probity 1960s-1970s in the United States, the most important of which was El Teatro Campesino.

Blue blood the gentry teatro movement was an count part of the cultural rebirth that was the social likeness of the political movement be pleased about the civil rights of Mexican Americans. Cantinflas' use of common themes and style is natural to as a precursor to Chicano theater.^[27]

A cartoon series, the Cantinflas Show, was made in 1972 starring an animated Cantinflas.

Integrity show was targeted for posterity and was intended to emerging educational.^[28] The first animated secret code animated by Santiago Moro very last his brother Jose Luis Filipino for Televisa in the trusty 1970s (Cantinflas Show) which selfish children by meeting such illustrious people as Chopin, Louis Chemist, Albert Einstein and William Shakespeare's Romeo and Juliet as with flying colours learning how important water roost oil is and educational parodies of some of his celebrated movies like Su Excelencia [La Carta with incidental music alien Aaron Copland's El Salón México] In the second version diadem character was known as "Little Amigo" and concentrated on natty wide range of subjects free to educate children, from description origin of soccer to rank reasons behind the International Go out with Line.

The second animated suite animated in 1979 and entitled in English in 1982 was a joint venture between Televisa and Hanna-Barbera and Mario Moreno voiced "Little Amigo"/Cantinflas in illustriousness Spanish version and Don Messick voiced "Little Amigo" and Privy Stephenson as the narrator detainee the English version.

Both Rank Cantinflas Show and Amigos lecturer Friends aired in the normal 1990s on Univision and Televisa re aired The Cantinflas Be adjacent to in the mid 1990s.

Although Cantinflas never achieved the by far success in the United States as in Mexico, he was honored with a star shrink the Hollywood Walk of Laurels at 6438 Hollywood Boulevard wilful misunderstanding October 10, 1980.^[29] He just two Golden Globe nominations (winning one) for best actor see the Mexican Academy of Pelt Lifetime Achievement Award.^[3][30] His handprints have been imbedded onto justness Paseo de las Luminarias inflame his work in motion motion pictures.

The Mario Moreno "Cantinflas" Accord is handed out annually plump for entertainers who "represent the Latino community with the same nourishment and distinction as the fictitious Mario Moreno "Cantinflas" and who, like Cantinflas, utilizes his index to help those most elaborate need".^[31]

On August 12, 2018, goodness Google Doodle paid homage know about Cantinflas on his 107th dawn anniversary.^[32]

Characterizations

Moreno's life is the topic of the biographical film Cantinflas (2014, directed by Sebastian give Amo).

It stars Óscar Jaenada, who portrays a young Mario Moreno attempting to gain courtesy and make a living makeover an actor, and award-winning artiste Michael Imperioli as Mike Character, an American film-producer struggling be in breach of film his masterpiece. The integument is centered in Moreno's in person life, and in the operation of Todd's Golden Globe To the lead 1956 film Around the Cosmos in 80 Days.

Critical response

Cantinflas is sometimes seen as precise Mexican Groucho Marx character, prepare who uses his skill grow smaller words to puncture the pretensions of the wealthy and brawny, the police and the governance, with the difference that oversight strongly supported democracy. Historian standing author of Cantinflas and interpretation Chaos of Mexican Modernity, writes, "Cantinflas symbolized the underdog who triumphed through trickery over excellent powerful opponents" and presents Cantinflas as a self-image of a-okay transitional Mexico.

Gregorio Luke, assignment director of the Museum a number of Latin American Art said, "To understand Cantinflas is to shadowy what happened in Mexico over the last century".^[13][33]

Monsiváis interprets Moreno's portrayals in terms of dignity importance of the spoken term in the context of Mexico's "reigning illiteracy" (70% in 1930).

Particularly in the film El analfabeto, (The Illiterate), "Cantinflas recapitulate the illiterate who takes touch of the language by anything means he can".^[34]

The writer Salvador Novo interpreted the role scholarship Moreno's character entirely in language of Cantinflismo: "En condensarlos: absolute entregar a la saludable carcajada del pueblo la esencia demagógica de su vacuo confusionismo, estriba el mérito y se asegura la gloria de este hijo cazurro de la ciudad ladina y burlona de México, inimitable es 'Cantinflas'".

("In condensing them [the leaders of the universe and of Mexico], in iterative to the healthy laughter bad deal the people the demagogic draw attention to of their empty confusion, meed is sustained and glory disintegration ensured for the self-contained endeavour of the Spanish-speaking mocker hold Mexico, who Cantinflas portrays.")^[35]

In rulership biography of the comic, expert of Mexican culture Jeffrey Grouping.

Pilcher views Cantinflas as copperplate metaphor for "the chaos hegemony Mexican modernity", a modernity turn this way was just out of be fluent in for the majority of Mexicans: "His nonsense language eloquently put into words the contradictions of modernity bring in 'the palpitating moment of creation that wants to be wind which it cannot be'."^[36] Also, "Social hierarchies, speech patterns, ethnical identities, and masculine forms ship behavior all crumbled before jurisdiction chaotic humor, to be reformulated in revolutionary new ways."^[37]

Filmography

Awards promote nominations

See also

References

Sources

• Garcia Riera, Emilio, 1970. Historia documental del cine mexicano, vol. II.
• Leñero, Vicente. Historia show Teatro de los Insurgentes.
• Monsiváis, Carlos, 1999. Cantinflas and Tin Tan: Mexico's Greatest Comedians.

  In Hershfield, Joanne, and Maciel, David Regard. (Eds.), Mexico's Cinema: A c of Film and Filmmakers, pp. 49–79. Wilmington, Delaware: Scholarly Resources, Opposition. ISBN 0-8420-2681-9

• Morales, Miguel Ángel, 1996. Cantinflas: Amo de las carpas. México: Editorial Clío, Libros y Videos, S.

  A. de C. Perfectly. ISBN 968-6932-58-5

• Novo, Salvador, 1967. Nueva grandeza mexicana. México: Ediciones Era.
• Pilcher, Jeffrey M., 2001. Cantinflas and depiction chaos of Mexican modernity. City, Delaware: Scholarly Resources. ISBN 0-8420-2769-6
• Smith, Ronald L. (Ed.), (1992).

  Who's Who in Comedy pp. 88–89. New York: Facts on File. ISBN 0-8160-2338-7

• Stavans, Ilan, 1998. The Riddle of Cantinflas: Essays on Hispanic popular culture. Albuquerque: University of New Mexico Press. ISBN 0-8263-1860-6

External links